The Bloomsbury Handbook of Dance and Philosophy featuring my contributing article “Considerations on Site-Specific Screendance Production” was published February of 2021.
Co-authored the Article: Framing and reframing screendance: A site-specific practice with Heike Salzer under WECrete Productions. Published as part of the book VideoDance Studies: ANALYSIS AND EVOLUTION OF VIDEODANCE, edited by Blas PAYRI Editorial Universitat Politècnica de València. full article
06/03-06/21 Screening at The WAIROA MĀORI FILM FESTIVAL, a celebration of Māori and indigenous film held at Kahungunu Marae, Nuhaka, New Zealand, each year. 05/13-14/2021 Selected by Cineminutos in Córdoba, Argentina. 03/11/2021 Invited to present “Encuentros y Duplicidades Trans-generacionales en la obra La Sabina” at the Primer Coloquio Iberoamericano “Transdisciplina, Creatividad y Neuro-artes Escenicas” presentedContinue reading “International Presentation”
04/13-18/2021 screening at An Ordinary Film Festival, Stockholm, Sweden. 03/29/21-04/01/21 screening at the Petit Plan Festival at an online geoblocked screening in Greece. 03/26-28/2021 screened online and awarded Best Group film by Ziel Dance Film Festival from Brooklyn, NYC
03/05/2021 Invited to teach a master class on screendance at TAPS Stanford Theatre and Performing Studies
04/12-18/2021 shift screening at Miradas a traves del tiempo , Montevideo, Uruguay
An intimate look at the Immigrant experience focusing on issues of identity, belongingness and displacement through the language of dance. Shot in Campinas, Brazil in collaboration with Dançaberta and Eclipse Dance and Culture. Dancers: Ayumi Hanada, Casemiro de Paula Barsalini, Cléo de Paula, Fernando Vitor, Flávia Pinheiro, Júlia Ferreira, Lais Taufic Robson Lourenço, Victoria Travitzki.Continue reading “Olhar Migrante”
July 19 – July 31 Creating a collection of screendances in Iceland with Heike Salzer and Ingi Jennson. Project Directed and Produced by WeCreate, funded by Teesside University, UK. and Texas State University, USA.